Ratt

There's an undeniable solidity to Ratt's debut LP, "Out Of The Cellar". While the hit single "Round and Round" (which peaked at #12 on the Billboard Hot 100) may have garnered most of the attention with its heavy rotation on MTV, what's truly impressive here is the album's consistent quality. As a lover of the album format, I am captivated when I listen through these ten songs, and then-novice producer Beau Hill did an excellent job capturing Ratt's signature sound. Over the years, Hill would become a legend in his own right. So, of course, would Ratt.

You could argue that the music on this album is somewhat one-dimensional, and at times, the songs seem to seamlessly blend into one another. I've found myself humming "Back For More", only to realize I'm already deep into "You're In Trouble" without even noticing the transition. However, in a way, that's part of the album's charm. It unquestionably encapsulates Ratt's early sound, with Stephen Pearcy's distinctive vocals harmonizing beautifully with the fantastic guitar work of Warren DeMartini and Robbin Crosby. Those two guitars take center stage throughout the album, effortlessly switching between rhythm and lead, punctuated by some glorious solos.

Ratt's musical influences are evident, drawing from the likes of Aerosmith, New York Dolls, Cheap Trick, and Van Halen, while also paying homage to the legendary British heavy metal bands of the early '70s. The intro of "Scene Of The Crime" even evokes vibes reminiscent of The Who or Rush. Yet, Ratt manages to carve out their unique sound. Ratt & Roll instantly found its energy and their sonic expression usually only requires a couple of seconds before you know who you're hearing. Pearcy's vocals, at times, remind me of a blend between Dee Snider and Vince Neil, and while his vocals are prominently featured, they never overshadow the brilliance of those two guitarists.

There's much to appreciate on this album. Whether it's DeMartini's screeching, unforgettable guitar solo on "Round And Round", the incredibly catchy bridge on "She Wants Money", or the transition from a subdued rhythm section (courtesy of drummer Bobby Blotzer and bassist Juan Croucier) to full-on Ratt mode on "You're In Trouble".

The highlights are never far apart, with the aforementioned "Round and Round" and the similarly infectious "Back For More" (in a slightly different version from the one on the self-titled EP released a year earlier) serving as the cornerstones of the album. And let's not forget "Wanted Man" or "The Morning After", both from a band at the top of their game.

Revisiting "Out Of The Cellar" is always a thrill. It's hard for me to fathom why this album initially required some patience before I got hooked. Listening to it now, I find it incredibly catchy, and the 36 minutes and 41 seconds seem to fly by. Very consistent. Very fun!