White Lion

While White Lion's sonic identity was not yet fully developed on their debut album, "Fight To Survive", they unmistakably showcased their unique style right from the beginning. This album, which was discareded by Elektra (but released by Civtor in Japan), exudes a raw and unpolished energy in its expression. White Lion would refine their sound over time, but the songs on "Fight To Survive" exceed the reputation often attributed to them. Perhaps the album isn't so much underrated as it is overlooked?

During the early days, White Lion were unable to establish a settled rhythm section. Bassist Felix Robinson and drummer Nicky Capozzi, both credited on the album, departed before its release. They were replaced by James LoMenzo (who's currently in Megadeth), and drummer Greg D'Angelo, both of whom remained with the band during their most successful years before eventually joining Zakk Wylde's band in 1991.

The album's opener, "Broken Heart", would later reappear on their swan song "Mane Attraction". However, the unpolished version presented here is arguably preferable. It's not far-fetched to imagine it could have been a major hit if released by someone like Bon Jovi. This track has it all: an acoustic, melodramatic build-up leading to a brilliant chorus heavily influenced by Richard Berry's 'Louie Louie' guitar riff from 1957. At least that is what it sounds like.

Despite all the promise, it wasn't quite White Lion's moment of triumph. The entire recording carries a distinct rehearsal room vibe, and at times, it feels like it was done in a single take. Nevertheless, Danish-born singer Mike Tramp had largely solidified his distinctive style here, characterized by his rough, husky vocals and unmistakable Scandinavian accent. While this unique combination may not appeal to everyone, it would become a signature for the band. Meanwhile, future guitar legend Vito Bratta offered glimpses of his brilliance, which would fully blossom on the next album—making the anticipation well worth it.

However, the majority of the music on this album is undeniably worth a listen. Tracks like the title song, "Cherokee", "In The City", and "All The Fallen Men" showcase the songwriting talent of the Tramp/Bratta duo. Their music, characterized by catchy and melodic rock, departs slightly from the typical Sunset Strip themes of partying and sex. White Lion chose to chart their own course, focusing on anti-war themes and down-to-earth tales of love found and lost, a direction that would become more pronounced in their later career.

Above all, White Lion consistently delivered finely crafted melodies. Some of their best work was yet to come, but there is more than enough to enjoy on this release. When comparing it to their subsequent album, "Pride", you gain insight into how talent can evolve into a polished final product.